This belt was obtained along the Kuskokwim River in southwestern Alaska. The Unegkumiut, Kiatagmiut, and Ingalik groups are the most likely sources for its production. Three hundred and fifty one sets of caribou incisor teeth are attached to leather, with a fringe of Russian trade beads and fox canine teeth. The belts were made by men but worn by women as displays of the man's hunting ability. Each set of teeth represents one caribou. These belts were usually family heirlooms that were thought to have curing powers which increased with the age of the belt.
This Shoshone war shirt was collected by E. C. Leffingwell of Milwaukee in 1878 north of Fort Washakie in west-central Wyoming and purchased by the Museum in 1900. War shirts were decorated with the owner's individual war triumphs, common materials being quills or beadwork, ermine tail pendants, red stroud, and tassels of horsehair or human hair wrapped in strips of trade blanket.
Spiro is an archaeological site in eastern Oklahoma consisting of 12 mounds. Occupied from AD 1100-1450, the site was a ceremonial, mortuary, and trade center. The elite of Spiro had the power to obtain materials exotic to the region from such places as the Appalachian Mountains, the Gulf of Mexico, and the Gulf of California. The site of Spiro Mound was destroyed in the mid-1930s by treasure hunters. Perishable materials such as textiles were well preserved and widely sold and dispersed by the looters to individuals and museums.
Originally from England, Samuel M. Brookes moved to Milwaukee in the 1840s and found a niche in the local art scene by painting portraits. He was commissioned by the Wisconsin State Historical Society in 1858 to paint important Native American chiefs and settlers of the area. This large oil painting is supposedly of the Menominee chief named Oshkosh. A tremendous amount of dignity is visible in the expression and posture of the man in the painting, along with a sense of his importance in Wisconsin history.
Paintings from the 19th century Plains tribes serve as narratives of important historical events. This piece was made at Standing Rock Agency (now Reservation) in North Dakota. Painted on a large sheet of muslin, 19 male figures and 15 horses are complemented by an additional 35 horse heads in the lower left-hand corner. Each individual figure appears to float on the surface of the muslin, as there is no evidence of a horizon.
An intricate system of incised images on wooden boards such as this served as a visual record of an event. Dream or memory boards were typically an Ojibwe tradition, but tribes, including the Menominee, produced them as well. The figures on horseback, buildings, and geometric designs served as mnemonic devices for the owner of the board.
In the late 1870s, U.S. Senator Daniel Voorhees was given a Mandan man's shirt by a member of an Indian delegation to Washington D.C. The shirt was later passed on to Professor John D. Mack of the University of Wisconsin at Madison, who sold it to the Milwaukee Public Museum in 1921. This elaborate tunic style garment consists of two buckskins sewn together. Four large extensions of fabric hang down from the central and most decorated portion, and extensive bead and quillwork adorn the shoulders of the garment.
This rare quiver, now attributed to the Nez Perce tribe, was originally thought to be either Shoshone or Arapaho. Made from otter skin, this cylindrical case is covered with geometric patterns of pigment. There is a bull's eye design on the bottom of the case.
The Mathiak Collection of Freshwater Mussels of Wisconsin includes specimens from over 250 rivers and creeks in Wisconsin, provides information regarding the mussel population in Wisconsin over time, and gives rise to future research topics. The collection also features endangered species in the state of Wisconsin such as the Villosa iris, or Rainbow Shell mussel.
Children's clothing from North American Indian cultures, other than moccasins, is unusual to find in many museums. This little girl's dress is in exceptional condition and is among the earliest items to be cataloged in the Museum.